The Fender Motion 32 gives producers and players an expansive, hands-on workflow for recording, composing, and live performance. Equipped with 32 premium FATAR® pads, Motion 32 integrates directly with Fender Studio Pro, making it easy to play and control virtual instruments, trigger samples, mix your session, and navigate your project—all without breaking your creative momentum.
Adaptive performance pads intelligently switch between drum pads, melodic layouts, and chord modes, while high-resolution illuminated encoders and expressive touch strips provide precise control over plugins, effects, transport, and automation. More than 30 custom-voiced chord progressions put inspiring harmonies at your fingertips, while built-in intelligent scales make it easy to sketch ideas, perform expressive parts, and develop complete arrangements.
Compatible with virtually any DAW, Motion 32 is a professional USB MIDI pad controller designed for demanding studio sessions and live performance. Whether you're producing electronic music, hip-hop, pop, rock, or cinematic scores, it delivers a responsive, instrument-like playing experience for musicians and creators of any genre.
Features
Fender Studio Pro Integration
- Includes a perpetual license for Fender Studio Pro.
- Hands-on timeline navigation and session controls.
- Instant “Add” button for virtual instruments, audio tracks, or effects.
- Real-time control over instruments and effects with 8 touch + illumination knobs.
- Large color display for enhanced visual feedback and greater creative flexibility.
Works With Any DAW
- 32 RGB FATAR® polyphonic pads with illuminated encoders deliver expressive control for drums, chords, melodies, and scales.
- Explore 30+ iconic chord progressions in Chord-Mode, and improvise with Smart Scales for intuitive music creation.
- Expressive touch strips for shaping sound.
- Flexible enough for every stage of creation, from songwriting and beatmaking to finger drumming, sequencing and more.
- MIDI I/O for synths, drum machines, and hybrid setups.
