Vintage Style electronics. No integrated circuits in the signal path
Maximum gain in mic mode is 80 dB, enough to handle passive ribbon mics with quiet sound sources
Classic 23-position Gain/Line switch with 5 dB steps and a gain range of 20 to 80 dB for mic and -10 to +20 dB for line
A two band LF (+/-15 dB) and HF (+/-20 dB) shelving equalizer with two selectable frequencies for each band
Inductor based +/- 15 dB midrange equalizer section with three selectable frequencies. The lowest one is selectable between 350 and 700 Hz
Switchable impedance in mic mode, 1200 or 300 Ohm, will change the tone of most mics. The input impedance in line mode is 10 kOhm
Switchable phantom power and absolute phase
A high-impedance instrument input for any sound module, electric guitar or bass
A simple but effective 4-step LED output level meter
The output level control makes it possible to make fine gain adjustments and also to overload the main gain stage(s) for more character
Separate combo XLR/TRS jack for the MIC and LINE input and separate output XLR and TRS jacks for flexible connections
Selectable 600 Ohm output termination
Classic style knobs and buttons
Prepared for mounting one or two units in the UNITE PREMIER rack kit. It can also be mounted in one of the other UNITE rack kits and combined with the red and black Golden Age Project products
Connector free internal wiring, all connections except the ones to the gain switch are soldered for the purest signal and most longterm stable signal path
UK made Carnhill microphone input and line output transformers
The pcb is prepared for the Carnhill 9046M line input transformer
Polystyrene capacitors in the amplifier circuits
Tantalum capacitors in the signal path
Beefed up power supply
Sturdy toggle switches with gold plated contacts
External power supply to avoid interaction with the audio circuits and transformers
A solid build quality th
