Don’t let the classic analog mixer design fool you—the StudioLive® AR12c was built to record. With a pristine analog front-end, eight high-gain XMAX mic preamps, and a 14x4 24-bit, 96 kHz, USB-C compatible USB 2.0 audio interface.
Don’t let the classic analog mixer design fool you—the StudioLive® AR16c was built to record. With a pristine analog front-end, 12 high-gain XMAX mic preamps, and an 18x4 24-bit, 96 kHz, USB-C compatible USB 2.0 audio interface.
Every so often, two incredible things, wholly enjoyable on their own, combine to form a pair so sweet and complementary, that it becomes hard to think of one without the other.
When certain components became unavailable, techs were forced to change the circuit, creating a one of a kind compressor that has been heard on countless hits.
The Seventeen is not the ’76 compressor that your grandfather recorded with. It isn’t even a remake but rather the Black Lion spin on what the ’76 Should have been.
The Micro Clock MKIII is the culmination of almost 10 years of research involving jitter-reducing, harmonic-enhancing design techniques not found in any other master word clocks on the market.
The Micro Clock MKIII XB is the most accurate word clock we’ve developed to date. With only 0.6pS RMS of jitter at the BNC outputs, it has less than one third of the jitter of the standard Micro Clock MKIII!
